The Conversations: Walter Murch and the Art of Editing Film. Michael Ondaatje

The Conversations: Walter Murch and the Art of Editing Film


The.Conversations.Walter.Murch.and.the.Art.of.Editing.Film.pdf
ISBN: 9780375709821 | 368 pages | 10 Mb


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The Conversations: Walter Murch and the Art of Editing Film Michael Ondaatje
Publisher: Knopf Doubleday Publishing Group



The Conversations: Walter Murch and the Art of Editing Film. There's a few quotes in particular that never made it to the final edit of the book (speaking of editing!). Our conversation was conducted via telephone on February 29, 2000.-Bill Chambers. Strangelove in 1964 when I was in Paris, studying art history. In The Conversations you talk about the lead role of Apocalypse Now being originally shot with Harvey Keitel, and how that was a totally different film because when you look at Keitel it's not about watching him observe things. Judit, the book I would recommend is "The Conversations: Walter Murch and the Art of Editing Film" by Michael Ondaatje. Divisadero (2007); The Cat's Table (October 2011). Frank Zappa catchphrase (and recently-discarded movie title). Nonfiction: Running in the Family (1982); The Conversation with Walter Murch and the Art of Editing Film (2002). FILM FREAK CENTRAL: How come you . While editing The Unbearable Lightness of Being in France, Academy Award-winning film editor and sound designer Walter Murch came across a reference to Italian writer Curzio Malaparte's description of horses being suddenly flash frozen . Poetry: The Cinnamon Peeler (1991); Handwriting (1999). Walter Murch, who has edited films by Coppola and Zinnemann, among other giants, tackled the impossible question "Why do cuts work? I'm reading a book of conversations between Michael Ondaatje and the editor Walter Murch, which I am finding extraordinary (“The Conversations: Walter Murch and the Art of Editing Film” by Michael Ondaatje). UPDATE: Just seen the first cut and really happy with it!! This is another of my favourites.





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